The Capitoline Wolf and the Twins

 

 

The Capitoline Wolf and the Twins


Following on from the Renaissance, the pagan myths of Greece and Rome became common themes in Western painting. Interestingly, the revival of Roman Catholic power in the Counter Reformation intensified this tendency.

Rather than just promoting religious art, the Counter Reformation also wished to emphasize Roman power by referring to Roman history and even its pagan myths. These were mobilized for the glory of Catholic Rome. Perhaps the best example of this is the Baroque painter Peter Paul Rubens who painted numerous and large canvases depicting Roman legends for his largely Catholic clientele.

This painting Romulus and Remus dates from 1615-16 and is owned by the Pinacoteca Capitolina Museum in Rome. It shows Romulus, the founder of Rome, and his brother Remus as infants being cared for by a wolf. Their mother, Rhea Silvia, was the daughter of Numitor, the king of Alba Longa. After he was deposed by his brother Amulius, Rhea Silvia was forced to become a Vestal Virgin to prevent her creating a dynastic threat. But the god Mars violated her and she became pregnant with the twins Romulus and Remus. When born, Amulius ordered the infants to be drowned in the Tiber, but instead they were left in the forest to die. Here a she-wolf, which had just lost its cubs, found them and suckled them, while a woodpecker, also brought them food, until they were discovered by the herdsman, Faustulus, who then raised them.

The painting shows them with the wolf, as the woodpecker brings them some cherries. In the top right we see Faustulus, who is about to discover them. The figures to the left are the God of the Tiber and the Goddess of Fortune.


C.B.Liddell
A Pagan Place
30th October, 2012
 


The Capitoline Wolf and the Twins: A look at the mythological roots of Roma

Posted on February 28, 2012 by Peter J. Fast


The Lupa Capitolina, otherwise known as the Capitoline Wolf, is one of the ancient symbols of Rome associated with its mythology and founding. It is a symbol which can still be seen all throughout Italy and the city of Rome, and continues to be associated with the Italian people (similar to the acronym S.P.Q.R- Senatus Populusque Romanus).

When one visits Rome today, they can expect to see this famous image on storm drains, paintings, sculptures, signs, emblems, and flags. It is interwoven into the Roman psyche so much that it has maintained a fusion with the people who still look back on it as the legendary foundation of their roots. But, what exactly is the legend, who told it and where did it come from?

The origins of the Capitoline Wolf are wrapped up in the tale of the two young twins, Romulus and Remus and their foster-mother, the Wolf. The legend also descends into shame and treachery when Remus is murdered by his brother followed later by the rape of the Sabine women which are the two most discreditable features of the ancient lore. In T.J. Cornell’s exhaustive history on the early and ancient roots of Rome, entitled “The Beginnings of Rome“, he thoroughly outlines the depth of this legend by adding that, “all of them (aspects of the legend) were at various times exploited by Rome’s enemies and by Christian critics of her pagan traditions.” (Cornell, pg. 60) The early tales of Rome surely did speak of pagan mythology, as well as the violence that was credited to its beginning, but the fable nonetheless has persevered over two millenniums and continues to be the favoured interpretation of Rome’s foundation due to its drama to explain its existence and founding.

The story of Romulus and Remus is short but dramatic to appease the appetite of the scholar or individual interested in mythologies of the ancient world. It has the similar colour to the story that other tales, legends and myths have from the ancient world, and also ties in the world of the gods to that of what occurs on earth as a connection to the supernatural. It would always give an individual or people more clout if one could associate their existence as being deemed and blessed by the gods. The legend echoes the common tales circulating the ancient world. It is about persons who grow up to become kings, founders, conquerors, explorers, heroes and religious leaders. “Well known examples include Cyrus of Persia, Semiramis the founder of Babylon, Sargon the founder of the Akkadian dynasty, Ion the ancestor of the Ionians, the Trojan princes Paris and Aeneas, the Greek heroes Perseus and Oedipus, the usurper Aegisthus (the murderer of Agamemnon), Cypselus the tyrant of Corinth, the Sassanian king Shapur, and Pope Gregory the Great.” (Cornell, pg. 61-62)

As the legend goes, the maternal grandfather of the twins was a man named Numitor, who was the rightful king and leader of the kingdom of Alba Longa. It was Numitor, who the Romans believed to be the descendent of the Trojan prince Aeneas who had escaped the destruction of the city, Troy. Numitor was also known as the father to Rhea Silvia who was also widely known by the name of Illia. As the legend went, Numitor’s brother, Amulius deposed him and killed his sons forcing Rhea to flee and become one of the sacred Vestal Virgins. It was the purpose of Amulius to seize power and thus deprive his brother of a rightful heir so he could reign supreme. However, Rhea gave birth to twins, Romulus and Remus through the supernatural procreation with either Mars (later Roman god of war and blood) or Hercules (Greek association with Heracles). Amulius, who knew about the pregnancy, took the twins once they were born and abandoned them to die. This, by all means should have been the end of the twins through the old practice of infanticide, but they were discovered by a she-wolf (lupa) who then suckled them recognizing them to be half-immortal and from the bloodline of gods. Later, a shepherd and his wife found the twins and raised them until they were men who became shepherds themselves. When the twins discovered the treachery of their past, they killed Amulius, restored Numitor to the throne and decided to found a city of their own.

The two twins ventured until they came to the River Tiber where they decided that this should be the location of their new city. The legend is really divided into two possible tales, with one of them simply resulting in the death of Remus without murder being implied. However, the more dramatic one of course, as told by the Roman historian Livy, who tells of the twins competing for a location and name, chasing each other around, attempting to build the foundational walls and then fighting bitterly until Romulus kills his brother. It is said that Remus had leapt over Romulus’ wall to discredit him and thus was killed in turn with his brother Romulus stating, “So perish everyone that shall hereafter leap over my wall.” Thus, the city is founded and named Roma in what Roman historians dated it at 758 B.C.

One of the best, and most current evidence to suggest that the legend of the She-Wolf and the Twins was part of Rome’s archaic age exists in the famous bronze statue which now stands in the Palazzo dei Conservatori (Capitoline Museum). This has been dated to the 6th century B.C. and originates from the Etruscan people of northern Italy who were later conquered by the Roman kings, later to be absorbed into the Roman Empire with unified Italy as the source of political and judicial power. Historians and archaeologists alike have ample evidence to believe that the story of the Twins was added to the existence of the She-Wolf by around 300 B.C. which had become the standard story in Rome. “It was officially proclaimed to the world in 269 B.C. when a representation of the she-wolf and twins appeared on one of the first issues of Roman silver coins.” (Cornell, pg. 61)

“The story was accepted in Rome precisely because it was an old and indigenous legend, and because its main features, uncongenial though they may have appeared to later apologists, were too well established in the tradition to be ignored or suppressed.” (Cornell, pg. 61) The people and society had accepted the story of Romulus and Remus to be a truthful account of the founding of their city and an explanation of its existence. It did not matter if the common belief was that the gods had dabbled and had a part in the founding, for it was customary, at the time in pagan society, to believe that the gods interacted with mankind, could procreate with them, and sometimes appeared to them. Like the Greeks who used the myths of the gods and goddesses to explain their existence and purpose in the world, so would the Romans adopt such beliefs to shape and understand their life and later manifest destiny to control the known world.

Whatever elements of truth may or may not lay in the ancient legend, it is sure that the tale of Romulus and Remus would in ways foreshadow the centuries of Roman influence and dictatorship upon the world to come. These similarities from the history of Rome compared with the founding mythology would follow an evolution of: survival, intervention, humbleness, glory, greed, power, self-deification and treachery. Rome would struggle in countless wars, oppress nations of people, take slaves from every country under the sun, fight civil war after civil war, and hunger for wealth, power and glory. Nearly a quarter of the world would live under the rule of the Caesars and the dreams and nightmares that would follow would all point back to the two helpless twins being suckled by the she-wolf.

By Peter J. Fast




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